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Entries tagged as ‘beauty’

the california chronicles, pt. 2

June 23, 2008 · 2 Comments

 

It is twelve twenty-eight. I strike a match.

In the quiet I go running through the cool night. The sun sets late out here and it takes a while for the heat to evaporate, rising up through the brown and the upstairs bedrooms. I find myself circling around and around the route through the townhouses, clockwise like an old carousel horse, losing myself to the path I’ve followed for the past five years. I catch my breath on the wandering smoke of my neighbor’s cigarette as she waves at me on her way to her front door through the darkness. It tastes strangely sweet. She tosses it into the dirt on the side of the path.

There is no reason for me to be out here, except I have trouble sleeping and I need to breathe. I hate days when there is no moon. I am terrified of darkness, of loneliness, of something I can’t put my finger on but dream about whenever I’m at home, quiet disasters, little terrors that make no sense to anyone but my own tired mind. I wake up at cold hours, suddenly aware that I lonely, feeling like an image is slipping away, like a part of me quietly knows that I am at a point in my life where I have everything I will ever need, and that someday, soon, I will lose it all, piece by piece by piece, like puzzle that needs to be put away.

So I run my mind like a racehorse, until it is clear and I can think, and then I sit on the stair, watching the windows dim and the street slow. Out of a second-story apartment across the street appears a man with a fauxhawk and a white wifebeater, followed by a small reddish-brown dog with pointed ears. I can’t make out the man’s features; all I can see is the bright orange embers of the tip of his cigarette, and his silhouette against the staircase. He walks slowly up and down the street, the dog, leashless, trotting at his side. Then he stops, looking up at the sky, and exhales. Something about him goes so still it makes my heartbeat slow. In the window way above, an invisible hand lights a candle. He becomes a picture I can frame. 

Sometimes I wish I smoked, just to have something warm in my hands, just to have an excuse to light another match into the solitude of my own front porch. I also wish I wasn’t allergic to dogs. Not sure about that fauxhawk though, it might throw my style all out of whack.

I write by candlelight, between sips of tea, my fingertips lightly coated in sulfur and potassium chlorate, from a room that smells like vanilla coffee and blueberries. The sprinklers outside are making a rhythm like rain on warm pavement. I like watching the lights being extinguished in windows as I pass beneath them. I want to know, are you afraid of the dark, like I am?

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Portrait of my Soul as a Giant Piece of Velcro

November 13, 2007 · 4 Comments

I decided today that my soul is like a giant piece of Velcro.

Sitting in the library, working on my paper about symbolism in the French short story, I was captivated by just how effectively a carefully-chosen object could be used to represent the innermost intentions of a character. In a way, these are manifestations, extensions of the human soul into the physical world, waiting to be deciphered and understood. So I started thinking, if my soul could have a symbol, what would it be, and why?

Something elegant–I don’t like dealing in complexities. It must come in many colors and shapes, and yet never seem to lose its basic character: my soul’s got soul. I like to imagine my soul as a whole in itself, almost elemental, and that if I were to pick up a pair of scissors and cut it into pieces and place them into palms, it would retain its basic nature, its completeness, its likeness. Its representation should be flexible and portable; I’d like to think of my soul as something useful, helpful to some, indispensible to others. Also, my soul seems to like to wrap itself around beautiful things, to attach itself to ideas and people and things that are inherently beautiful–and yet it can let go at anytime, because beautiful things lack permanence, and while my soul may have been careless in the past, I like to think that it is learning. But still. It has that power to keep things together.

So this is how I came to believe that my soul is like a piece of Velcro.

And as I walked out of the library and into the late-fall afternoon, lost in the brilliant sunlight caught under the fading leaves, the blueness of the sky, the rareness of the moment, I was struck by just how beautiful the day is, the earth is, everything is. I would like to wrap my soul around the world and just leave it there until it smells as sweet as rain in its aftermath. I want to tuck the world into my softest blanket and steal away with it so that I can stick it someplace safe and warm, ageless, immutable.

All I can think of is, damn, that’s a shitload of Velcro.

Love,
N

 

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El guardián y la niña

November 11, 2007 · 2 Comments

The child
hovered over the space between his fingers
her blonde curls
suspended above his cupped hands
like a blanket of silence over a roomful of lovers.

“What is it?” she asks, her pink thumb
prying at the darkness trapped in the wrinkles of his 
ancient brown leather gloves.

“Your fear,” he replied
“I’ve caught it.”

“Give it back!” she laughs into the early fall
(and somewhere in the park a leaf changes color).

“You sure? I could
put it in the pocket of my coat,
or slip it into a cardboard box with holes at the top…”

“No!”

“…at the very least, 
let me turn it into 
something beautiful 
for you.”

“No, please, I wanna see!”

“I don’t want to scare you…”

“I won’t be scared! Promise.”

(A moment.)

“Don’t tell anyone,” 
he whispers and
opens his hands.

And she giggles as the bee disappears noisily,
leaving his palm in a soliloquy of sunlight.

 

 

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One Starbucks, two Starbucks…I must be in NYC!

February 17, 2007 · 3 Comments

 

Straddling the crunch of dusty snow, I gaze upward in at the swirling patterns embossed into the naked white flesh of the statue above me—the rigid outline of which proclaims its arching contour against the silhouette of bare trees. It’s so breathtaking that it even calls for a break in the paragraph. Ready? Okay.

***this is a break in the paragraph in honor of NYC***

There we go—stare into the void and enjoy this exhilarating experience vicariously, because it’s pretty much what you’ve always imagined it to be. I was standing there thinking, “You know, if I ever encounter a magic Starbucks cup that with one sip could carry me anyplace at all in the world (I will, someday, find one), I would wish only to be transported to Washington Square Park, right back into this very moment.”

In New York, the City itself is your ever-present companion, a soulmate whose heartbeat you never have to strain to hear because it reverberates loud enough on its own—thus forming a relationship for which a hearing aid is not required. Your, mutual, feeling is ever-requited, reflected back at you in the quiet thoughts that rise out of the wet pavement, captured in the tiny droplets of sound and fog that gently escape the mouths of the crowds as their multicolored hats emerge from the subway in an elegant display. How can anyone ever feel alone out here? How can a person possibly feel out of place, when allowed to wander in bashful dalliance along the broken sidewalks and purple flagpoles that line these lively parts (the flagpoles fling their banners so proudly through the little snow flurries as they travel past me, imitating the fervent haste of New York City cab drivers on the fly)? How, in a city so full of motion, can any one singular emotion remain unfulfilled, any compromise uncompromisable, any dream incomplete? How can a person possibly be around this much horn-blaring, sweet-talking, puddle-plodding, caffeine-consuming action and not feel happy? Pardon my Spanish, but me no comprendo, no comprendo at all [pointless interlude: I tried to stock up on mi espagnol on the plane by reading the electronic map projected on the little personal-sized television screen in front of me, watching the miniature aircraft millimeterize the five-hour journey and, as a result, partaking in a bi-lingual geography lesson. Unfortunately all I can remember now is that Casper is not the capital of Wyoming. Wild applause kindly appreciated //end pointless interlude].

I can’t sleep. I really should, it’s shocking how swiftly traversing through time zones can tire you out, and I have a long day lingering behind these hotel curtains, hiding beneath the New York horizon line. But the subway is rumbling beneath my building and I feel so full of youthful energy that I’m not letting its little ditty of a lullaby soften my catlike motions as I skulk the length of the room in my most patronizing manner. I can’t believe I’m in New York. I can’t believe I’m writing about New York. I can’t believe how many times today I very nearly avoided becoming cabkill. To my amusement though, a few people still managed to stop and interrogate me about directions. I guess I pull of this whole New York walk thing pretty well. The second time, feigning skillful ease, I managed to guide two cold and lost-looking tourists to a location whose name I only vaguely recognized. I should feel guilty, but I don’t.

From the sky New York City looks as if it were swiftly typed up in fresh newspaper print and recently released. Its crowded parking lots crouching on white snow resemble strange messages waiting to be decoded from thin air. When our plane circled over the Atlantic and realigned its snout to face the city in a sudden flood of sunshine, New York came back in color—mostly browns, all sorts of browns, browns like I’ve never seen in my life—and then some light greens, and reds, and a bit of blue here and there. In close-up, however, the city is sixteen billion shades of grey, and yellow with cabs and fleeting traffic lights, as they remain refracted by the snow, melting and retreating beneath the shadows of the curbside gutters. 

I had dinner at a little diner by NYU’s Stern and Tisch buildings, right by the theatre, and coffee at the NYU Starbucks. While at the diner, I overheard an intriguing bit of conversation; so I leave you with this little taste of my very own personal Overheard in New York contribution—not terrifically funny but I thought it was wonderful:

Guy in Diner: I don’t eat green things. The only green things I eat are limes, and, you know, lime-related products.

Well, okay, maybe you just had to be there…but I can’t help wondering what on earth he meant by “lime-related products,” and if they’re even legal in the States.

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Carnations

January 5, 2007 · 10 Comments

Clutching my guitar and a box of carnations, I stepped off the bus and into the dappled December sunlight. Ahead of me lay the cobblestone driveway of the Lytton Gardens Senior Center, the second stop on my choir’s holiday tour. Here, our directors had informed us, we would perform a few pieces from our repertoire for a small audience on the nursing and special care floor. 

I don’t know why I felt so much apprehension about singing on that floor. I had heard that nursing is reserved for persons who are very sick or very old; in the elevator, our guide told us that nursing is usually the final step before an occupant passes away. My hands grew clammy on the handle of my guitar case, and I felt as if I were venturing into a place very quiet and sacred, a place most people avoid because they are afraid of the finality of life.

The elevator opened and we could see two men and a woman in wheelchairs. One of the men observed us with sad eyes, and the women didn’t seem to be able to hear or see anything. Looking around, I spotted a few more audience members in faded polka-dot pajamas. As Ms. S., our music director, gathered the rest of Downbeat for warm-ups, I wondered if these people were going to be able to enjoy our singing. I wondered if they would even hear us.

Ms. S. blew the pitch pipe and raised her arms, and suddenly, the basses burst into their syncopated rhythm. The sad man raised his gray eyes and began to beam sheepishly, and the woman next to him began clapping along. Slowly, I felt a change come over our audience; it felt as if, suddenly, the room was filled with children.

We held out last note to an enchanted silence. It was as if the audience was absorbing the last echoes of our carols. Then, suddenly, something came along to complete the magic of the afternoon. Downbeat was handing out flowers and conversing with the seniors when one of the nurses approached us, saying that a patient who was not well enough to come out wanted to hear Silent Night. Ms. L-R, our other director, asked if my friend Vyvy and I could perform it with guitar.
We followed the nurse down a labyrinth of hallways and to a closed door. “He’s just getting out of his bath, but he really wants to hear you,” she told us and went in. Vyvy and I waited for five minutes before the door finally opened, revealing what at first seemed like a mass of white sheets. In the bed was a small man with all but his head under the covers, and it was him that we serenaded. He smiled a toothless grin and turned to me as I was putting away my guitar.

“Are you German?” he asked all of a sudden.

I smiled back at him and replied, “No, Ukrainian, actually.”

“Do you speak Ukrainian?”

“No, I grew up speaking Russian,” I replied. I could not understand why he was so interested in learning about me. Then, he made the strangest request.

“Sing me a song in Russian.”

I searched my memory for something I could sing, and the only piece that came to mind was the Lullaby by Tchaikovsky that I had been working on in my voice lessons. So there, in that darkened room, I began to sing, without accompaniment or a stage, to an audience of three people and the flashing monitors by the bedside. And with each note I felt as if I were losing something, as if I were giving a part of myself away; but there was nothing sad about that loss, because in a way, we lose something with each moment of our lives that passes, and at least my lost moments would never tarnish in this one man’s memory. 

He fell fast asleep, and on my way out the door, I placed a pink carnation on his bedside.

I don’t think I was ever aware, before that afternoon, of what a crucial responsibility musicians have. I’ve realized that there is a moment in peoples’ lives, perhaps before they are born, when they hear music for the first time, and it becomes their guide up until their final breath. People seek companionship in the songs they hear, and it is up to us, to me, as a singer, to let them know that they are never alone in their journeys. There is no such thing as simply singing; the goal is to make every phrase into a message, and to part with each listener on a note of mutual understanding. Because, who knows, my song might be the first, or the last thing a person hears.

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random things I saw today

November 12, 2006 · Leave a Comment

 

a pink sweater

a red car going over a striped yellow and white speed bump

a puddle

/end thought process. My mind is like Pnin–too many images, no conclusions.

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Sun

November 13, 2005 · Leave a Comment

 

 

It was just
one of those mornings,
those gilded morning
and the sunshine
was tangled in the hair 
of the people out on the street.
The people in cars
closed their sun-roofs so tight
to keep the sunlight out of their curls
and locks and braids and ponytails;
but still it slipped in
through the slits above the windows,
and crept and crawled and snuck,
illuminating the hairs on their heads:
blonds and browns and reds and blacks.

Yours are
lovely, and I see your face
silhouetted against a sunny halo.
You laugh and it glows,
bouncing as you run toward me.

I hold you
and get sun dust all over my jacket.

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Coins–a speech

September 6, 2005 · 1 Comment


I’d like to start by telling you a story that takes place at the beginning of summer. It is actually not so much a story as it is a thought; a question that came across my mind one morning during breakfast at a hotel in San Diego. I was inside the hotel kitchen, and there was this little television in the corner broadcasting the early morning news report. People were sitting and conversing in hushed voices while the television flashed up headlines. It told us about the missing girl in Aruba; it updated us on the casualties of the day in Iraq; and it showed us photographs depicting the shadowed faces of Dylan and Shasta Groene, the two victims of an Idaho kidnapping. I, too, sat down and watched, and then I headed upstairs to start my day. As I walked I began slowly to wonder why anyone had bothered in the first place to show me the things I had just seen, or to tell me of the events taking place across the continents. Because I, along with the rest of the people in that kitchen, would in the end do nothing with that knowledge except put it into the back of my mind, as always. That’s when I first started to think that maybe there really was nothing in my power, or within my reach: nothing I could do about the things I saw on that little television.
You see, when I was in 6th grade and my parents told me I was switching schools again and transferring to Harker, I told them flat out I wasn’t going to go. I was tired of having to adjust to new schedules and rules and dress codes. I told my parents it wasn’t fair to force me to go somewhere I didn’t want to go. To my surprise, they agreed. They said I didn’t have to go if I really didn’t want to. They said that at the breakfast table, and then my mom turned around and pointed to our television, where the morning news report was just beginning. She said, “You don’t have to go, but if you do, you’re going to be with the people who are going to change all that. You’re going to be one of the people who stops all these things from happening.” 
That was what finally made me agree to go, and for the longest time afterwards everything I saw or heard on the news, no matter how trifling or devastating, would fill me with this a mixture of excitement, and hope, and determination, and ultimately the knowledge that in a few years, I was going to play a part in changing these things.
But those “few years” later, as a would-be junior standing in the stairwell of a San Diego hotel, I was hardly the person who was going to go out and change anything. For one thing, I had no idea what career I wanted to pursue. While there were many things I felt passionate about, I had been told so many times to choose what I wanted to do based on the practical aspects. And I’ve always been the direct opposite of practical—the things that make me want to get up and do something have always been lofty ambitions, impossible dreams, visions, and goals that I’ve been told will get me nowhere. Goals like “stop all the horrible stuff on the news from happening”—an interesting choice for someone with barely enough attention span to stop her car at a red light. I’ve heard many times that everyone can make some difference, but I wondered, who would I have to be to make a great difference; like, to do something that actually matters? In that stairwell, I was only myself, one person, and for each one of my strengths I had double that amount of weaknesses. Who, then, would I have to try to become in order to change even one thing about the world I live in?
That was the thought I kept dwelling on when I arrived, in late June, for my first day of work at the Santa Clara Rec Center. The job description was literally, “little kids, theatre, and a whole lot of drama,” but it ended up not being nearly as tragic. On my first Friday there, the camp took a field trip to the swim center in Central Park. We were getting ready to leave when I saw Uma, the pretty little Indian girl who had attached herself to me permanently, sitting alone by the poolside. She was upset because she hadn’t passed her swim test and couldn’t go into the big pool. So I asked her, “Why don’t you practice swimming during the week? Can your mom or dad take you?”
She looked at me directly with her brown gaze. “My dad can’t because he has to take classes,” she explained, “He was laid off his old job and now he found a new one but he has to take classes. And my mom is pregnant with my little sister. So I can’t go swimming right now.”
So then I asked her: “Uma, who do you want to be when you grow up?”
Uma answered, “I want to be…somebody,” to which she added, simply, “I want to be me.”
It was hardy the answer I could expect from anybody, let alone an eight year old child. I have no doubt, knowing Uma, that despite the challenges she faces, she has great dreams and aspirations; but I also know that she will do the things she can do, and never get discouraged by everything she cannot change about herself or the world around her. Perhaps the lesson we can learn from Uma is that if we want to be somebody great, we have to be ourselves, and do something great.
I guess it doesn’t matter, then, what exactly we choose to devote our lives to. In theatre, there is a phrase that goes, “There are no small roles, only small actors.” I believe now that there are really no small roles in life either—no unimportant positions we can assume, no careers that limit or prohibit us from doing the incredible things we’ve all at one time imagined ourselves doing. There are only people who go through each day without ever taking a sip of that intoxicating stimulant known as passion; people who walk home in the evening without that feeling of having given everything they could give. These are the people who refuse to believe in themselves, and refuse to see that the only thing you have to be in order to accomplish something great is alive—so long as you’re living with your heart. It’s so easy to stand in that stairwell and tell yourself there’s nothing you can do, and to listen when people say that the things you imagine someday happening will never translate into reality. It’s harder start climbing–to show yourself, and to make the changes you can make; no matter how impossible your dreams may be to capture, no matter how daunting your task may seem.
I’d like to leave you with one final story, another one of my lofty little ambitions. I was Uma’s age when I came to America, and the day before we left Kiev, we traveled by subway to my aunt’s house to say goodbye to the rest of my family. I remember passing through the underground hallways, seeing all the people standing by the walls for the last time. There were people of all ages there, men and women, selling cheap artifacts, or bags of candy, or simply asking for change from the subway passengers. Many of these people lived in the underground, or in one-bedroom apartments on the fringes of the city. They were poor people, and I was the lucky girl who was going to go off to the place that they could only dream about. That’s when I got this brilliant idea. I was going to go to America and collect lots and lots of coins, all sorts of coins, from spare change to things I found on the street, and I was going to keep them all in this humungo bag. Then, when I got older, I would come back, and I would give coins to every person I would see, at every subway stop, on every entrance.
Time passed. I learned about customs and heard the laws on transporting foreign money by plane. I found out that coins had no value in the monetary exchange system. I realized just how little one penny was worth. 
But this summer I finally figured out a way to make it work. It was on a Wednesday, and I was traveling with the camp kids on a bus back from Boomers in Livermore. I had spent the day partnered with a little girl name Candice Ruiz. We had played arcade games and I had driven her around on the go-cars, and by the end of the day we were both exhausted. On the bus, she fell fast asleep with her head on my shoulder for most of the ride.
The day was July 1st. Police were contemplating on giving up the search for Natalie Holloway, still missing in Aruba. June, which had just drawn to a close, was pronounced one of the deadliest months for U.S. troops in Iraq, with the death toll covering seventy-seven of the more than 1,800 casualties total since the beginning of the operation. Shasta Groene was found alive, and the man who had kidnapped her and killed three members of her family was captured and identified as Joseph Edward Duncan. And with all this going on around her, little Candice Ruiz fell asleep peacefully on my shoulder, because I was there for her when she needed me, and the way you change people’s lives, sometimes, is just by being there for them. For what was perhaps the first time in my life, I felt like I had done something quite incredible; I felt like I had just, almost, changed the world. That’s who I gave that very first coin to, then—to little Candice Ruiz on the bus.
And I think, in a little while, when I’ve given out enough coins, you’ll be able to see just how much of a difference each one has made.

~Nina V (fin. 8 23 05/ed./pres. 9 5 05)

I dunno. Felt like I should paste it in here to remind myself sometimes…:)

Thank you so much guys…this one was for you! <3

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Jaja

June 28, 2005 · 1 Comment

“Hold, hold up.”
The stranger crosses the street as I put on the breaks and come to a full stop, resting my foot on the sidewalk.
“You should be wearing a helmet.”
I should. I forgot it at home. I could look up at him and tell him just that, try and be friendly or charming or congenial, but I avert my eyes and instead direct my gaze at the ground in feigned indifference, while mumbling what must sound like a half-hearted apology. As he walks away I press hard on the pedal and glide on down the road. Tears swell in my eyes and I feel like a little kid who just got caught doing something she shouldn’t have been doing, the kind of kid who stares off into space with a stubborn gaze while she’s being scolded and then goes off on her own and cries her heart out about the whole thing for half an hour. I don’t know why it bothers me so much now.
I ride up to the crosswalk and press the button, and then sit and wait for the light to change. I flinch as the cars whiz by. Their whizzing seems so harsh, so brutal to me at this moment. Each one–it’s like they see me and then they pass by with that dull, insensitive rumble of an engine and hiss of rubber tire on the pavement. I’ve never noticed how fast they go by before. It’s like being caught in a cloud of seagulls fleeing a sudden danger; the careless beating of wings and an abrupt rush of air and feathers. I hold my breath and close my eyes as the cars finally stop and it’s my turn to walk, and then I begin to pedal as fast as I can to the other side. People stick their hands and heads out of the car windows, yelling things to each other and at me, cursing the traffic and blaring horns. It seems to me the street will never end, but it does and I ride away from the noise of the intersection into the quiet suburban street.
I miss the ocean. I miss that cold chasm of infinity, the dark velvet blue that catches the image of the hovering skies, the shimmering fabric that immerses all existance within its unfathomable depths. There is something comforting about a neverending body of water, something peaceful about the idea of it being completely connected. While continents are shattered fragments of land, the ocean is united and complete, it is whole. Its waves fan out over the sandy beaches in playful consistency, retreating only to approach again, dying only to be reborn. This immense creature only answers to the call of the moon at twilight, also constant, also faithful. The moon sings sweetly and the ocean reaches out for her in solemn longing. That is all that exists with the power to move the ocean, this distant love, and that can only stretch it but a few feet. Otherwise it is resting, it is unbounded, it is free. To look upon the ocean, to tread upon its waves, to taste its salt is to cast a footprint in clay and display it on the wall as if to say, “Oh, but you once were free. You once looked and tread upon freedom, you once tasted the absurd and the unbounded, you once ran down an endless beach without ever looking back…”
But I am in a world of streets and corners, cars and rules and bicycle helmets. I am trapped inside a detailed map, where every street has a name, where I have to wait at each crosswalk. In this world of placid houses of pale pastel, rooftops shining in the afternoon sun–in this world there is a right way to walk and a right time to cross, and everything that begins must also come to an end. This world is constantly polluted with the smog of destitute and despair, and apathy, and caution. Sweet incense of anything beautiful, the jasmine of hope and the lavender of some lovely emotion, are trapped in little bottles and wait on the shelf of the corner drug store, next to the aromatherapy oils and the bach flower remedies. They are carefully preserved, weighed to the exact, and sold in small quantities to those who can afford it. There is nothing left to explore here; here, nothing is left to chance. But in the ocean there are as many possibilities as there are drops of water, glittering and exploding into many particles of light.
With restlessness only accentuated by the collecting summer heat, I let my bike fall on the grass of a nearby park and sit down on a swing just to think. I remember an old song I used to know about swings that sprouted wings and flew away, carrying their passengers with them and I find myself wishing it was more than a children’s tale. I sit and swing softly through the balmy air, longing for some sort of escape.
And onto the swing next to mine sits down a woman dressed in a long black skirt, with a shawl around her head despite the heat. In her arms is a little child, not a baby but perhaps a very young toddler. I gaze at them a while and ask if it’s a boy.
“Yes,” his mother replies, smiling at me and then lifting him up a little. He has a full head of curly brown hair that glows a with a dove-like softness in the sunlight. “His name is Jaja.”
She gazes up at him proudly and then kisses him softly on the forehead. He is thirteen months old, he doesn’t walk or talk yet but he’s very smart, she tells me, and he’s very beautiful too, she says while turning his head towards me so I can see his little smiling face. He looks so happy about something, with his big brown curls and tiny mouth the color of a pale rose. And his eyes! If there’s anything that captures me about people it’s their eyes, that is if they’re beautiful, and his are. They are a very intense sort of hazelnut brown, round and wide open with long dark brown lashes. And they are pure and endless, infinitely innocent, yet it seems to me he knows more than I could ever aspire to know about this world when he looks at me. In his eyes I catch a glimpse of the ocean; they reflect a different, a more beautiful, a more complete world than the one I have grown accustomed to. Jaja knows what I have forgotten–he knows infinite, boundless love–his mother’s love, the world’s love for him and his hazelnut eyes. His gaze blesses whatever it falls upon with his untarnished love for all that is around him. In his eyes there lie as many possibilities as there are tears left for him to cry, and through it all he smiles at me and then puts his arms around his mother’s neck. 
And because I look at him, in that one moment where his gaze falls upon me, I see the ocean again. There rest the sands and the waves and the placid beaches at sunset, and the dark shadows of the unexplored depths. For one moment I too can be part of his perfect, mysterious world.
As I wave goodbye to him and his mother and watch him be placed in a stroller and rolled gently down the block, I realize again the painful truth that now I miss those eyes as much as I miss the ocean. But you know what’s different? He let me see again the hazy reflection of what might still be. In the sweet innocence of Jaja’s face there is a sort of naive hope for all the strangers and the maps, all the names and the crosswalks, a hope in that one day we may forget all these rules and set ourselves free.
You know what made me laugh though? That many years from now, more than a decade from now, when we’re all older and have left the streets of San Jose buried in the sands of our past, that somewhere, a girl will fall in love with a boy who hides the ocean in his hazelnut eyes.

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I Love Ollie

June 14, 2005 · 5 Comments

 

There is a certain form of loneliness that always comes at the start of summer, but I think we can blame Holden for that. I got through reading Catcher in the Rye in one day, I seriously love that book. I was so caught up that I stayed out too long in the sun without sunscreen.
Molly mentioned to me, when we were running from end of year party to birthday party to sleepover, that soon the year would really be over, and we’d be at home and thinking where it all went, and I’ve been thinking and thinking…and trying to write some sense into myself but instead erasing useless words and saving unfinished documents. Playing old songs on guitar. Feeling my fingers find the old chords, and my heart taking the journey of remembrance, and my eyes stinging sometimes.
There are so many moments in this past year which I think I chased away into dark corners, but as I stand alone they find me again. They’re everywhere. It’s hard to know a moment is going to be one of those moments you remember–the trouble with the present is that it is too often overshadowed by dreams of the future, and imprinted with the footprints of the past. That’s why you don’t always know it when you’re doing something wrong, because you’re too busy dreaming and remembering. Then again, the present is the only time in which you can ever be happy just to be alive, because the past is far too fleeting and the future doesn’t even exist yet.
It’s hard because I’m not quite sure what I want to say. I just have so many moments colliding in my head but I don’t really feel like describing them. That’s another problem with these moments. If you try to explain them you just CAN’T, not to anyone, because they just won’t get it. It ruins the purity behind the good moments.
After the concert on Sunday my mom and I went to Bijon’s and talked about summer, and college, and all that stuff. That was a great moment. Talking about the past, having someone remind me I have a future to think about. I’ve learned to look at people in a different way. I rely on people a lot more than I think. I don’t just trust them, I rely on them, which in general is a hard thing to do. It’s one thing to let someone hold your hand sometimes, it’s a whole different thing to have your hand held and not feel bad about needing someone to hold your hand.
I miss you guys. I miss the way you held my hand.

One of these days I need to go riding again. It’s so strange not to have anywhere to be now. For the past four summers I’ve been waking up every day with somewhere I needed to be. I really miss it. I miss being tired and sweaty when the cool wind carries in the twilight. I miss getting on bareback and watching the sunset. Mornings and afternoons were hectic and it was hard work but…in the evening it was always so peaceful, and so beautiful, and you had a purpose. You had a home. You were a part of something different, and it was like you had this secret, and it became yours, it became you when the stars came out. It was you by moonlight and by the sweet smells of rolled oats and dew and the faint sounds of shuffling bedding and of animals. I usually stayed out later than almost anybody else, and by my last hour or so only the adults were there, and they’d be having drinks in the staff room, and they’d be off in their own world. A world marred by what I later learned was a sad sort of knowledge, an experience, a realization about life which I had yet to make. I was the only idealist, and I wandered on my own. But I was never alone, because around me were all these bodies. There’s something about animals, especially horses. You and the horses work together all day, you fight, you drive each other crazy, you swear to yourself you hate them and you know they swear to themselves they hate you. Still, at the end of the day it’s all forgotten and you climb the pasture fence and they come over to be petted. Their coats are usually caked in places, especially during camp, but their noses are always so velvety soft. And their eyes, my god, those eyes are filled with summer…they are so beautiful they almost sing, with summer, with the gorgeous sunsets and the new moon and the dried grass. I remember sitting there on the tilted fence, Ollie’s spotted head by my shoulder and his eyelids drooping and lashes flittering as I scratched his mane and rubbed his forehead, and I was looking out over the sky that was being lit up with this orange hue, and I was thinking, what will I remember once I lose this? What will this mean to me when I’m older, how much of this will I be allowed to keep? How much of this moment would reminisce within me and stay preserved like a dried flower, exactly as it is, and how much of the paint of time and experience would drip upon this canvas and dim this world and this endless sky?
I think it’s one of those things we all think we cannot understand, but we really just know at heart, all of us. Those moments when we suddenly find beauty in something, and we fall in love with it for the first time, despite the fact that so many people can’t understand what it is we see. One of those things you have this gut feeling about that you know you will never find in any of the new places you have yet to explore.
That’s what I miss. I miss knowing what is beautiful, I miss having a secret, I miss being in love with beauty. I miss looking out at sunsets, I miss thinking how lucky I am and having a head at my shoulder. I miss knowing I have all I’ve ever wanted right below my feet, in the very soil and the very grass and the very air and the essence of life and dreams in a place that exists to make all that come true. God, I miss it. I really do.

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i’m fifteen for a moment [excerpt]

February 2, 2005 · Leave a Comment

Why is everything so beautiful?
It’s so strange how when everything seems to be going wrong, the world gets for beautiful, more radiant, more alive. The sunlight is so much warmer on your face and the breeze envelops you and then everything feels alright.

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